Economies of Love. Part 3: Sensing Body
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Wallabout Film Festival 2025
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“It Would be Alright if He Changed My Name”: Maxime Jean-Baptiste with World Records
# 153
Given that for those myriad subaltern communities marked as structurally disposable, as incapable of (democratic) rights and the (responsible) exercise of freedom, “the fascism which liberal modernity and civil society have always required has never abided by this order’s mendacious separation of the political from the aesthetic,” how could one expect an art keyed to the operation of these structures, or grounded in the historical praxis of these communities, to conform to the artifice of such notionally separable strictures as those that divide aesthetics from politics, form from content, present from past, living from dead?
Arjuna Neuman and Denise Ferreira da Silva: Ancestral Clouds Ancestral Claims