A symposium at the Yale University Art Gallery
1111 Chapel Street
New Haven, Connecticut 06510
United States
T +1 203 432 0600
artgalleryinfo@yale.edu
Join a dynamic conversation with leading voices in photography, social history, and Black studies at the Yale University Art Gallery’s symposium, “Photography, South Africa, Legacies.” Organized in conjunction with the exhibition David Goldblatt: No Ulterior Motive, the symposium examines the work and legacy of South African photographer David Goldblatt (1930-2018), inviting timely inquiries into the structures and representations of apartheid. Using Goldblatt’s photographs as an entry point, presentations will explore the intersections of photography, land dispossession, resistance, and photography’s role in shaping and telling history.
Schedule
9am: Coffee
9:30am: Welcome
Judy Ditner, the Richard Benson Curator of Photography and Digital Media, Yale University Art Gallery
9:45am: About David: The Quiet and the Commonplace
Brenda Goldblatt, David Goldblatt’s daughter and collaborator
10am: Panel I: Photographs of Dispossession
The life, death, and resurrection of Indian South African cityscapes—Dan Magaziner, Professor of History, Yale University
Contentious Remembering: Photography, Memory, and the Memorialization of Dispossession in South Africa—M. Neelika Jayawardane, Professor of English, State University of New York at Oswego
Celebrating Home in the City: Photography and Black Johannesburg—Thuto Thipe, Assistant Professor of African History, University of Chicago
11am: Conversation: Poloko
Jabulani Dhlamini, South African documentary photographer
Leslie M. Wilson, Associate Director, Academic Engagement and Research, Art Institute of Chicago
12pm: Break
1pm: Panel II: Portraits of Resistance
An Open Book—Oluremi Onabanjo, the Peter Schub Curator of Photography, Museum of Modern Art
Portraiture and the Industry of “Visibility”—Antawan Byrd, Assistant Professor of Art History, Northwestern University, and Associate Curator of Photography, Art Institute of Chicago
Cropped and Redefined Impressions: The Passbook as Portrait of South(-ern) African History—Drew Thompson, Associate Professor of Visual Culture and Black Studies, Bard Graduate Center
2pm: Roundtable: All participants
The full schedule is also available online. Free and open to the public. Registration is not required.
This event is organized in conjunction with David Goldblatt: No Ulterior Motive, by exhibition curators Judy Ditner and Leslie M. Wilson, as well as Daniel Menzo, the Marcia Brady Tucker Fellow, Department of Photography, Yale University Art Gallery. Symposium made possible by generous support from Jane P. Watkins, M.P.H. 1970, and the Martin A. Ryerson Lectureship Fund.
